Olivier Charles, “Prince Aldobrandini”, Cubist Oil Painting on Canvas, 1956

A fantastic 1956 cubist figural oil painting on canvas titled “Prince Aldobrandini” by well-listed Swiss artist Olivier Henrie Charles (b.1931–2013).

The princely figure strikes a regal pose, with outstretched arms, legs mid-stride, and voluminous robe conveying a wonderful sense of motion and royal drama. Very handsome cool and earthy tones fill and shadow a myriad of dynamically intersecting and overlapping geometric forms. Everything works in concert to create a memorable Mid-Century Modern cubist portrait that’s both refined and freed by subtle constructivist and Expressionist influences.

Of particular note are visually intriguing complementary touches such as the cadmium red base coat peeking through in places, the blood red line work floating over the prince’s head, waist, and feet, and the red artist’s signature and date at lower right.

One of the finest works in this style that we’ve seen by Olivier Charles, with skillful execution, excellent composition, and intricate textures on display throughout. Provides new and intriguing discoveries and insights with every viewing, especially when considered alongside the historical context of its subject and his family.

The House of Aldobrandini is an Italian noble family originally from Florence, where in the Middle Ages they held the most important municipal offices. They’re now primarily residents of Rome, with extremely close ties to the Vatican that date all the way back to 1592 when Ippolito Aldobrandini became Pope Clement VIII (b. 1536–1605). He made his nephew Pietro Aldobrandini (b. 1571–1621) cardinal, a position he held while also being an influential patron of the arts.

Their line has been intricately linked through marriage and heirs since the mid-1600s with another famous Italian family: the Borghese. It’s likely that the Prince Aldobrandini depicted in the painting was actually born of the Borghese bloodline, as at least two notable princes with that name were.

Presented in its original white painted wood frame. Verso reveals the canvas to be finely woven burlap. Titled in pencil “Prince Aldobrandini” on stretcher at top, with “No. 30” and “200” written on either side.

Dimensions overall;
Height: 31.25 in
Width: 21 in
Depth: 0.75 in
Art is H 30.25 in. x W 20 in.